Celebrity Brands Have a Shelf Life & LVMH Cutting Fenty Proves It.
Celebrity brands work when the celebrity is fully checked in. The moment they check out (and they always do eventually) the brand becomes a declining asset. Here's how you can avoid it.
LVMH is selling its 50% stake in Fenty Beauty.
Not because Rihanna isn’t famous anymore. Not because the products are bad. But because Fenty peaked years ago, sales are down double digits in North America, and the brand has lost its prime merchandising space at Sephora.
An LVMH insider put it plainly: “Fenty’s not a core asset. They decided not to buy the other half.”
This is the same LVMH that dismantled Kendo, its beauty incubator arm that launched Fenty in 2017. Marc Jacobs Beauty: shut down. Bite Beauty: shut down. Kat Von D: sold off after a failed rebrand attempt. And now Fenty, Kendo’s only “success story,” is being offloaded because its business is “negligible compared to Dior and Sephora.”
Here’s what nobody wants to say out loud: celebrity brands have a shelf life. And that shelf life is directly tied to how checked-in the celebrity stays.
Rihanna built one of the most hyped beauty launches in history. The 40-shade foundation range was groundbreaking in 2017. The brand had instant credibility, massive distribution through Sephora, and LVMH’s infrastructure backing it.
But celebrity brands aren’t built on product authority. They’re built on borrowed equity. And borrowed equity has an expiration date.
The Difference Between Celebrity Brands and Founder-Led Brands
Celebrity brands win launches but they struggle with longevity.
When Rihanna launched Fenty, millions of people tried it because Rihanna told them to. The celebrity’s fame opens the door. It gets customers to try the product once.
But fame doesn’t create repurchase. Product quality, brand positioning, and category expertise does.
And here’s the problem: Fenty’s positioning was never about beauty expertise, it was about Rihanna making makeup.
Compare this to brands built by founders who live in the category:
Huda Kattan (Huda Beauty): Started as a makeup artist and beauty blogger. Built authority in the category for years before launching products. Her customers trust her because she’s spent a decade proving she knows beauty inside and out.
Bobbi Brown: Worked as a professional makeup artist for 10+ years before launching her line. The brand wasn’t “Bobbi Brown is famous”; it was “Bobbi Brown knows how to make makeup that works for real women.”
Pat McGrath: Legendary editorial makeup artist for 25+ years before launching Pat McGrath Labs. Her expertise is unquestionable. The brand exists because of what she knows, not who she is.
These brands are built on category authority. The founder’s expertise is the product’s credibility. Their knowledge creates trust that survives trends, competitive pressure, and market shifts.
Celebrity brands are built on borrowed cultural relevance. The celebrity’s fame is the product’s credibility. And when that fame shifts focus, or when the celebrity checks out of the day-to-day, the brand loses its reason to exist.
What Happens When the Celebrity Checks Out
Rihanna didn’t stop being famous, but she did stop being checked into Fenty Beauty.
In 2017-2019, Fenty was everywhere. Rihanna was actively promoting it, engaging with customers, showing up for launches. The brand felt like Rihanna was personally invested.
By 2020-2023, Rihanna’s focus shifted. She had a baby, returned to music, and performed at the Super Bowl. Fenty Beauty became one part of her empire, not the center of it.
And here’s what celebrity brands don’t survive: the celebrity moving on.
Because if the brand’s equity is “Rihanna made this,” what happens when Rihanna isn’t actively making it anymore? What happens when she’s not posting about it, not showing up for launches, not personally driving the narrative?
The brand becomes just another beauty line. Customers stop feeling like they’re buying into Rihanna’s world. They start comparing Fenty to other beauty brands on product merit alone. And when you’re competing on product merit without founder expertise to back it up, you’re competing with brands run by people who actually live in beauty full-time.
That’s a fight celebrity brands can’t win long-term.
The Shelf Life Problem: Celebrity Brands Are Products, Not Platforms
LVMH is selling Fenty because they’ve realized something most founders don’t want to admit: celebrity brands are products, not platforms.
A product has a lifecycle. You launch it, it grows, it matures, it declines. You can extend that lifecycle with innovation, marketing, and distribution. But eventually, products plateau.
A platform has compounding value. The longer it exists, the stronger it gets. Customer relationships deepen. Brand equity builds. Expertise becomes irreplaceable.
Fenty was always a product. It was a celebrity licensing deal dressed up as a brand. The launch was massive because Rihanna is massive, but the brand never developed its own authority independent of Rihanna’s fame.
And now that Rihanna’s attention is elsewhere, the product is declining. Sales down double digits. Lost shelf space at Sephora. LVMH cutting their losses.
Celebrity brands work when the celebrity is fully checked in. The moment they check out (and they always do eventually) the brand becomes a declining asset.
The Core Asset Test: Why LVMH Doesn’t Care About Fenty
LVMH has two beauty priorities: Sephora (the most important beauty retailer in the world) and Dior (one of the biggest beauty brands in the world).
Everything else is evaluated against one question: Does this strengthen our position in one of these core assets?
Fenty doesn’t. Sephora would carry competitive beauty brands regardless of whether LVMH owns Fenty. Dior doesn’t need Fenty to dominate the beauty market. So what’s Fenty’s strategic value to LVMH?
Nothing. It’s “not a core asset.”
This is the brutal clarity that corporate conglomerates operate under. If something doesn’t strengthen the core business, it gets cut—even if it’s working, even if it’s profitable, even if it has one of the biggest celebrities in the world attached to it.
LVMH tried the incubator model with Kendo. Four brands launched. All failed or stalled. Rather than keep pouring resources into brands that don’t strengthen Sephora or Dior, they’re refocusing on what actually matters.
Fenty had every advantage: Rihanna’s fame, LVMH’s infrastructure, Sephora’s distribution, capital to scale. And it still wasn’t enough to make it a core asset worth keeping.
What Founder-Led Brands Have That Celebrity Brands Don’t
The brands that survive aren’t built on fame. They’re built on founder obsession with the category.
Founder-led brands have:
Deep category expertise. The founder knows the product, the customer, the market better than anyone else. This expertise creates trust that doesn’t fade when trends shift.
Personal investment that doesn’t waver. The founder’s identity is tied to the brand. They’re not moving on to the next thing because this IS the thing.
Authority that compounds over time. The longer the founder stays in the category, the more credible they become. Their knowledge deepens. Their customer relationships strengthen.
Positioning independent of their personal fame. The brand stands for something beyond “this person made it.” It has a point of view, a category position, a reason to exist that survives even if the founder steps back.
Celebrity brands have none of this. They’re built on borrowed equity that has a shelf life directly tied to how long the celebrity stays engaged.
Rihanna is one of the most famous people in the world. Fenty had every structural advantage, and it still wasn’t enough to build a sustainable brand once her focus shifted.
If celebrity isn’t enough, what is?
Founder obsession. Category authority. A reason to exist beyond who created it.
The Warning for Founders Building with Celebrities
If you’re considering a celebrity partnership or building a brand with a celebrity attached, ask yourself these questions:
1. What happens when the celebrity moves on?
Because they will. Celebrities have careers that span multiple industries. Your brand is one project among many. The moment their attention shifts—and it always does—what’s left?
If your brand equity is entirely tied to their name and fame, you have a product with a launch window, not a brand with long-term value.
2. Can your brand answer “why us?” without referencing the celebrity’s name?
Try it right now. Explain your brand’s positioning, differentiation, and reason to exist without mentioning the celebrity.
If you can’t, you don’t have a brand. You have a licensing deal with a shelf life.
3. Does the celebrity have genuine category expertise, or just cultural relevance?
There’s a difference between “famous person makes product in category they’re not known for” and “category expert who happens to be famous.”
Rihanna is a global icon. But she’s not known for beauty expertise. Fenty was never positioned as “Rihanna the makeup artist”; it was positioned as “Rihanna the cultural force makes makeup.”
That works for launch hype. It doesn’t work for decade-long brand building.
4. Are you building a brand, or are you building a marketing campaign with a shelf life?
Celebrity partnerships create incredible launch momentum. But momentum isn’t the same as foundation.
If the celebrity’s involvement is primarily marketing (their name, their image, their endorsement) rather than operational (their expertise, their daily involvement, their category authority), you’re building a campaign, not a company.
And campaigns end. Usually, around the same time, the celebrity’s attention moves elsewhere.
The Lesson: Borrowed Equity Has an Expiration Date
LVMH selling Fenty proves what most founders don’t want to admit: celebrity brands have a shelf life.
It doesn’t matter how famous the celebrity is. It doesn’t matter how strong the launch is. It doesn’t matter how much capital and infrastructure you have behind it.
If the brand’s equity is borrowed from the celebrity’s fame rather than built on founder expertise and category authority, it has an expiration date. And that expiration date is tied directly to how long the celebrity stays checked in.
Rihanna built one of the most successful celebrity beauty brands in history. LVMH gave it every advantage. And it still peaked within a few years and is now being sold off because it’s not a core asset.
If you’re building with a celebrity partner, make sure you’re building a brand that survives when their attention moves on. Because it will.
Would love to hear your thoughts on this looming sale, leave them in the comments below or email me privately.
See you tomorrow,
Xx Camille
As always, I love helping small businesses win, whether that’s through my self-paced Social Media Masterclass here or through a 1:1, Direct discovery or working with my agency.




Great read! I wish you cited data and research to strengthen your claim!
So real! I wrote about this recently too. It takes more than just a celebrity to make a brand successful these days. An example of this is Addison Rae's beauty brand ITEM. I think a brand like Rhode works because Hailey Bieber is genuinely in the space and has been talking about it for years. An interesting launch recently was Dua Lipa teaming up with Augustinus Bader which I think is smart because it gives her more credibility. Curious to see how that turns out!